Click here to view and download full pdf (186 pages, 3 mb.)

Contents

• Poor Man’s Copyright: Intellectual Property and Cultural Depictions of the White Working Class in American Popular Music, Jason Lee Guthrie, Clayton State University
• Pandemic Disruptions: Emerging Themes and Stories Among Music Ecosystems, Gigi Johnson, Maremel Institute; Storm Gloor, University of Colorado Denver
• Life Goes On: How BTS has turned Virtual Live Concerts during the COVID-19 Pandemic into Showbiz Dynamite, Yongjin Hwang, University of South Carolina; Armen Shaomian, University of South Carolina
• Exploring Political Communication Through Strategic Artist-Candidate Relationships: The Case of a Southern Political-Celebrity Nexus in the 1976 Presidential Election, Lori Amber Roessner, University of Tennessee, Knoxville; Lindsey Bier, University of Southern California
• Marketing Agile Artists: How Music Labels Can Leverage TikTok’s Virality, Andi Coulter, Washington and Lee University

Reviews

• David Baskerville, Tim Baskerville, and Serona Elton. Music Business Handbook and Career Guide (13th edition): Larry Miller, New York University

• Keith Hatschek. The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation: Paul Linden, University of Southern Mississippi
• Mark V. Campbell. Afrosonic Life: Marcus Thomas, Hartt School, University of Hartford
• Andrew Mall. God Rock, Inc.: The Business of Niche Music: Jason Lee Guthrie, Clayton State University
• Jim Ruland. Corporate Rock Sucks: The Rise and Fall of SST Records: Waleed Rashidi, California State University, Fullerton
• Bobby Borg and Michael Eames. Introduction to Music Publishing for Musicians: Business and Creative Perspectives for the New Music Industry: Dan Galen Hodges Jr., University of Colorado Denver