Papers are listed alphabetically by author

Exploring the Teaching Experience of Audio Engineering Faculty During the COVID-19 Pandemic (abstract only)

Nathan Adam, Belmont University

After Hultsfred: Cultural Entrepreneurship in the Aftermath of the Hultsfred Festival (abstract only)

Jonas Bjälesjö, Inland Norway University of Applied Sciences, Inland School of Business and Social Sciences

Sales, Streams and Socials: The Impact of Touring on the New Music Economy (abstract only)

Jerry Brindisi, Columbia College Chicago

Jeff Apruzzese, Drexel University

What’s Going On? Current Economic and Cultural Influences of Black Music in the Music Industry (abstract only)

Cheryl Slay Carr, Belmont University

Morgan M. Bryant, Haub School of Business, St. Joseph’s University

Songs for Social Change: Pro-Social Lyrics in Commercial Music in the U.S., 2017-2022 (abstract only)

Carlos Chirinos-Espin, Steinhardt School, New York University

Scaffolding as a Roadmap: Guiding and Supporting Student Learning (abstract only)

Mehmet Dede, Hartt School, University of Hartford

The Impact of the COVID-19 Pandemic on Musicians and the Music Industry

Justin Giordano, State University of New York - Empire State College

Learnings From the Creation of a Free Music Business Program for Local Musicians (abstract only)

Storm Gloor, University of Colorado Denver

Students, Mental Health, and Working in the Music Industry: Are University Music Business and Recording Industry Programs Doing Enough to Prepare Students for the Psychological Impact of a Career in the Music Industry?

Gloria Green, Middle Tennessee State University

Let's Clear the Smoke: Fifty Years of Smoke on the Water in Music Education

Jan-Olof Gullö, Royal College of Music, Stockholm, Sweden

A Musician’s Livelihood: Bringing Together Educators and Leaders to Examine Perceived Barriers to Profitability Through Musicians’ Lens

Wyvonne Hawkins, DBA degree, Northcentral University

David Cross, National University

The Rise of Color and Diversity in Country Music

Dan Galen Hodges Jr., University of Colorado Denver

Mary Lauren Teague, Belmont University

Music Branding in Esports (abstract only)

Yongjin Hwang, University of South Carolina

Armen Shaomian, University of South Carolina

Justification of Existence: Music Business Management Programs in a Historical and Industry Perspective (abstract only)

Fruzsina Morcz, PhD student, ELTE University

Indie Folk and Americana Triggers: An Analysis of Streaming Music, Audience Behavior, and Global Opportunity (abstract only, full article available in the 2021 MEIEA Journal

Ulf Oesterle, Syracuse University

Terry Tompkins, Hofstra University

Charles Alexander, Systemic & Outside The Box Music

The Importance of Teaching Tour Management

Christopher Reali, Ramapo College of New Jersey

Katy Richards, Australian College of the Arts

An International Student and Staff Exchange: A Project Based Approach (abstract only)

David Schreiber, Belmont University

Ben O’Hara, Australian College of the Arts

What is Behind the Vinyl Record Boom and What Does It Mean for Artists and Record Labels?

Joe Steinhardt, Drexel University

Social Media Shenanigans and the Struggling Artist (abstract only)

Mary Lauren Teague, Belmont University

Amy Bryson Smith, Belmont University

Do What Works: Using the Scholarship of Teaching and Learning to Improve Student Perceptions of Their Own Intercultural Knowledge and Sensitivity

Marcus Thomas, Hartt School, University of Hartford

Building Generational Wealth Through Intellectual Property

Hal Weary, California State University, Dominguez Hills

Marlon Ware, Azusa Pacific University

Stephen Glass, California State University, Long Beach

Erica Baker, Prolific Entertainment Law Firm